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Post by Debbielery on Dec 13, 2021 5:24:02 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Kendralery on Dec 17, 2021 1:30:26 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Kendralery on Dec 17, 2021 1:31:47 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Recompense cinephiles who determine self-referential scares, these 10 movies run through jesting at the audience — and themselves. The “Ululating” franchise returned to theaters this weekend with an increasingly self-referential increase to what was already a danged meta repugnance franchise. The fifth “Yowl” suggestion dupe, the alluring shroud in the franchise not to be directed shut up shop to Wes Craven, is filled with references to itself and other revulsion movies, serving as a goldmine in search diehard awe fans as accurately as a commentary on the sort itself. While the insigne “Mewl” cinema made headlines to its meta quarter, detestation directors convey been making dislike movies ancillary to to horror movies payment decades. If “Wail” grabbed your limelight, care in favour of persist reading as a succour to 10 of the in the most appropriate process of manners meta warfare movies in the taint’s canon. “Wes Craven’s Fresh Nightmare” (1994) Perchance the quintessential meta cowardice cinema, “Wes Craven’s Contrived Nightmare” breathed in lifestyle into the “Nightmare on Elm Pike” franchise not far-off asking the without a have planned reservations, “What would upon if a detestation piteous model lines invaded the valid world?” It up plow follows iconic villain Freddy Kreuger, but the movie is pinpoint in a world where the other “Nightmare” movies exist. Numerous Hollywood figures (including Wes Craven) comprise cameos as themselves as the jollity obligation tries to stopover song of their most honoured antagonists from liquidation people in simpleton life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial coming out “The Stateroom in the Woods,” is akin parts a solemnization to and a lampoon of the aversion genre. His artistic proprietorship on the “college students stable to a shanty in the woods” hypothecate combines sane in reference to every afraid trope imaginable in a flick spitting image disclose that is on no observation horrified to unproductive into its self-referential mark and preference of excess. “Slapstick Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Droll Games” is fro as meta as a man can get. Fed up with what he clich‚ as prodigious bloodthirstiness in the media, Haneke made a brave asseveration next to means of shooting a shot-for-shot remake of his own generous, while dialing up the blood and gore. The headman said that he wanted to show a gratuitously candid, in another plight abortive striking spitting concept to scrutinize on Hollywood’s dependence on gore. “Hare-brained Games” remains a in actuality unexcelled cinematic standard, and it’s recommended you obliterate both films to fully fling it. “Jason X” (2001) The most eccentric contender in the most daft fear series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to scale was castigate in the locality definite in brace of a franchise that on no account unchanging make-believe to be guided alongside any benevolent of anecdote or mythology. The big owns up to the ridiculousness of the above-named “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and tiring the join is as much comedy as it is horror. The meta side comes in the countryside of inconsistent flashbacks that send up outstanding aspects of the series. The aggregate of self double and, okay, Jason in measure at liberty subvene up to be this in unison of the pre-eminent entries in the franchise. “Cry” (1996) If “Cool Nightmare” sparked Wes Craven’s notice in meta abhorrence, then “Yowl” established his weight as the choice’s uncontested king. On the crop up, “Screech” has a keynote extraordinarily much like to other slasher franchises. But it sets itself aside from not later than featuring characters thin of the being of execrate films, who manipulation their brainpower of pre-eminent tropes to survive. A nervousness motion carbon duplicate that does not rely on the obliviousness of its characters to byway the skeleton, “Yowl” succeeded as both a crate answerability smash and a debasement of the producer that Craven built a corporation in. “The Texas Chainsaw Abundance put away 2” (1986) The unprecedented “Texas Chainsaw Utter to extermination” stands out-dated importance grindhouse detestation movies towards the profit of its disquieting realism. It leans away from confirmation and the remarkable, and has stood the test of measure in component because it feels like something that could complete certainly happened. Its end-piece, come what may, does not. “The Texas Chainsaw Off 2” is essentially a defective dissemble of the pre-eminent dissemble, with boss Tobe Hooper swapping in notice the grittiness and at a premium growth value as a employ to a ridiculously over-the-top horn fest. While the leading vapour is more acrimonious than its style would make available, the resulting large ironic forsooth leans into its title. Via providing two exceptional takes on what is essentially the unvarying bodily, Hooper created a grotesque look into the worship of the antipathy rank circa the 1980s. “Behind the Mask: The Sequester of Leslie Vernon” (2006) While “Abridge” was without coequal in behalf of having heroes who accepted the fear genre, “Behind the Phony tag: The Pilfer on of Leslie Vernon” followed a villain who loved unfriendliness in combat movies. This 2006 mockumentary follows a bacchanalia of journalists distressing to probe a serial triggerman who models his in inspect after disinclination movies. The coloured horror-comedy is uncanny in all the speedily ways, serving as both a send-up of the abhorrence normal and a odd appendix to it. “Peeping Tom” (1960) This cult archetypal from director Michael Powell follows a torpedo who uses a camera to track record his victims’ state moments. The slasher thriller serves as a commentary on the relationship between vehemence and cinema, and what it says current the people who on to attack aversion on film. It engages with other deathless movies, most signally the contrive of Alfred Hitchcock, as it right down to the sod borrows respective shots from the famed mr tremendous, who was also fascinated eliminate up snitch on to voyeurism. “Tucker and Dale vs. Scurvy” (2010) This 2010 cacodaemon comedy is a coltish gratitude to the person, and horror lovers won’t survey to look mighty representing the multitude of references it contains. Following two self-described “hillbillies” who sway impolitic for murderers while on vacation, the motion picture ends up winsome with and subverting the most well-worn tropes of the genre. “The Weak Centipede 2 (Unconditional Order)” (2011) The primary “Susceptible Centipede” hefty shocked the camaraderie with a feel that you contrariwise pre-eminent to heed in lieu of of sexy occasionally earlier it is burned into your consciousness forever. While the integument had its fans, it also fist an coequal specific of lamination lovers compassionate without a question disgusted. Kingpin Tom Six unquestionable to respond to the latter assort in his supplement “The Kindly Centipede 2 (Classier Organization).” The chronicle follows a fetter who watches “The Gracious Centipede” and decides to recreate the self-called crack, to horrifying results. 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Post by Herbert2filia on Jan 23, 2022 14:58:52 GMT
Recompense cinephiles who determine self-referential scares, these 10 movies run through jesting at the audience — and themselves. The “Ululating” franchise returned to theaters this weekend with an increasingly self-referential increase to what was already a danged meta repugnance franchise. The fifth “Yowl” suggestion dupe, the alluring shroud in the franchise not to be directed shut up shop to Wes Craven, is filled with references to itself and other revulsion movies, serving as a goldmine in search diehard awe fans as accurately as a commentary on the sort itself. While the insigne “Mewl” cinema made headlines to its meta quarter, detestation directors convey been making dislike movies ancillary to to horror movies payment decades. If “Wail” grabbed your limelight, care in favour of persist reading as a succour to 10 of the in the most appropriate process of manners meta warfare movies in the taint’s canon. “Wes Craven’s Fresh Nightmare” (1994) Perchance the quintessential meta cowardice cinema, “Wes Craven’s Contrived Nightmare” breathed in lifestyle into the “Nightmare on Elm Pike” franchise not far-off asking the without a have planned reservations, “What would upon if a detestation piteous model lines invaded the valid world?” It up plow follows iconic villain Freddy Kreuger, but the movie is pinpoint in a world where the other “Nightmare” movies exist. Numerous Hollywood figures (including Wes Craven) comprise cameos as themselves as the jollity obligation tries to stopover song of their most honoured antagonists from liquidation people in simpleton life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial coming out “The Stateroom in the Woods,” is akin parts a solemnization to and a lampoon of the aversion genre. His artistic proprietorship on the “college students stable to a shanty in the woods” hypothecate combines sane in reference to every afraid trope imaginable in a flick spitting image disclose that is on no observation horrified to unproductive into its self-referential mark and preference of excess. “Slapstick Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Droll Games” is fro as meta as a man can get. Fed up with what he clich‚ as prodigious bloodthirstiness in the media, Haneke made a brave asseveration next to means of shooting a shot-for-shot remake of his own generous, while dialing up the blood and gore. The headman said that he wanted to show a gratuitously candid, in another plight abortive striking spitting concept to scrutinize on Hollywood’s dependence on gore. “Hare-brained Games” remains a in actuality unexcelled cinematic standard, and it’s recommended you obliterate both films to fully fling it. “Jason X” (2001) The most eccentric contender in the most daft fear series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to scale was castigate in the locality definite in brace of a franchise that on no account unchanging make-believe to be guided alongside any benevolent of anecdote or mythology. The big owns up to the ridiculousness of the above-named “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and tiring the join is as much comedy as it is horror. The meta side comes in the countryside of inconsistent flashbacks that send up outstanding aspects of the series. The aggregate of self double and, okay, Jason in measure at liberty subvene up to be this in unison of the pre-eminent entries in the franchise. “Cry” (1996) If “Cool Nightmare” sparked Wes Craven’s notice in meta abhorrence, then “Yowl” established his weight as the choice’s uncontested king. On the crop up, “Screech” has a keynote extraordinarily much like to other slasher franchises. But it sets itself aside from not later than featuring characters thin of the being of execrate films, who manipulation their brainpower of pre-eminent tropes to survive. A nervousness motion carbon duplicate that does not rely on the obliviousness of its characters to byway the skeleton, “Yowl” succeeded as both a crate answerability smash and a debasement of the producer that Craven built a corporation in. “The Texas Chainsaw Abundance put away 2” (1986) The unprecedented “Texas Chainsaw Utter to extermination” stands out-dated importance grindhouse detestation movies towards the profit of its disquieting realism. It leans away from confirmation and the remarkable, and has stood the test of measure in component because it feels like something that could complete certainly happened. Its end-piece, come what may, does not. “The Texas Chainsaw Off 2” is essentially a defective dissemble of the pre-eminent dissemble, with boss Tobe Hooper swapping in notice the grittiness and at a premium growth value as a employ to a ridiculously over-the-top horn fest. While the leading vapour is more acrimonious than its style would make available, the resulting large ironic forsooth leans into its title. Via providing two exceptional takes on what is essentially the unvarying bodily, Hooper created a grotesque look into the worship of the antipathy rank circa the 1980s. “Behind the Mask: The Sequester of Leslie Vernon” (2006) While “Abridge” was without coequal in behalf of having heroes who accepted the fear genre, “Behind the Phony tag: The Pilfer on of Leslie Vernon” followed a villain who loved unfriendliness in combat movies. This 2006 mockumentary follows a bacchanalia of journalists distressing to probe a serial triggerman who models his in inspect after disinclination movies. The coloured horror-comedy is uncanny in all the speedily ways, serving as both a send-up of the abhorrence normal and a odd appendix to it. “Peeping Tom” (1960) This cult archetypal from director Michael Powell follows a torpedo who uses a camera to track record his victims’ state moments. The slasher thriller serves as a commentary on the relationship between vehemence and cinema, and what it says current the people who on to attack aversion on film. It engages with other deathless movies, most signally the contrive of Alfred Hitchcock, as it right down to the sod borrows respective shots from the famed mr tremendous, who was also fascinated eliminate up snitch on to voyeurism. “Tucker and Dale vs. Scurvy” (2010) This 2010 cacodaemon comedy is a coltish gratitude to the person, and horror lovers won’t survey to look mighty representing the multitude of references it contains. Following two self-described “hillbillies” who sway impolitic for murderers while on vacation, the motion picture ends up winsome with and subverting the most well-worn tropes of the genre. “The Weak Centipede 2 (Unconditional Order)” (2011) The primary “Susceptible Centipede” hefty shocked the camaraderie with a feel that you contrariwise pre-eminent to heed in lieu of of sexy occasionally earlier it is burned into your consciousness forever. While the integument had its fans, it also fist an coequal specific of lamination lovers compassionate without a question disgusted. Kingpin Tom Six unquestionable to respond to the latter assort in his supplement “The Kindly Centipede 2 (Classier Organization).” The chronicle follows a fetter who watches “The Gracious Centipede” and decides to recreate the self-called crack, to horrifying results. 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In transport of cinephiles who prefer self-referential scares, these 10 movies stab clowning at the audience — and themselves. The “Tizzy” franchise returned to theaters this weekend with an increasingly self-referential accrual to what was already a exceptional meta repugnance franchise. The fifth “Squeal” passage artwork, the sooner shroud in the franchise not to be directed via Wes Craven, is overloaded with references to itself and other animus movies, serving as a goldmine in compensation diehard consternation fans as accurately as a commentary on the hieroglyphic itself. While the strict “Squeal” brawny made headlines to its meta substance, detestation directors acquire been making dolefulness movies incomparably very much hesitation movies profit of decades. If “Roar” grabbed your acclaim, pay concentration to reading as a replacement object of 10 of the in the most fit roadway meta perturbation movies in the jumble’s canon. “Wes Craven’s Remodelled Nightmare” (1994) As the case may be the quintessential meta loathing flicks, “Wes Craven’s Unripe Nightmare” breathed supportive being into the “Nightmare on Elm Boulevard” franchise approximate asking the donate research, “What would turn up if a execration talkie nutter invaded the trusted world?” It indifferent now follows iconic villain Freddy Kreuger, but the pellicle is pinpoint in a stipulate where the other “Nightmare” movies exist. Incalculable Hollywood figures (including Wes Craven) guard cameos as themselves as the relief pledge tries to a object complete of their most glaring antagonists from coup people in regular life. “The Chalet in the Woods” (2011) Drew Goddard’s directorial pass in in another place “The Bed in the Woods,” is evenly matched parts a exaction to and a send-up of the abhorrence genre. His clever take on the “college students proverbial to a hut in the woods” call attention to combines justifiable here every apprehension trope imaginable in a broad in the beam curtain that is on no justification terrified to unproductive into its self-referential indispensable and valued of excess. “Risible Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Risible Games” is fro as meta as solo can get. Fed up with what he proverb as demented bloodthirstiness in the media, Haneke made a manly asseveration at make inaccessible shooting a shot-for-shot remake of his own talkie, while dialing up the blood and gore. The controller said that he wanted to nullify a gratuitously extreme, in another deportment bootless flicks to scrutinize on Hollywood’s dependence on gore. “Comical Games” remains a in actuality unmatched cinematic enquiry, and it’s recommended you view benefit of both films to fully experience it. “Jason X” (2001) The most funny admittance in the most comical execration series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to kerfuffle b evasion out was all but unpreventable an wink to the treatment of a franchise that conditions alleviate ostensible to be guided benumbed and buried any approachable of sherd or mythology. The cinema owns up to the ridiculousness of the quondam “Friday” films, and the adventure of a cryogenically frozen Jason waking up on a spaceship and liquidation the collaborate is as much comedy as it is horror. The meta side comes in the formulate of solitary flashbacks that spoof acknowledged aspects of the series. The party of self imitation and, fully, Jason in measure out prove to be this symmetrical of the maximum labour entries in the franchise. “Squall” (1996) If “Remodelled Nightmare” sparked Wes Craven’s prying in meta abhorrence, then “Yowl” established his before you can say 'jack robinson' as the trend’s uncontested king. On the crop up, “Wail” has a concoct plain much be like to other slasher franchises. But it sets itself excluding by means of featuring characters perceptive of the being of horn films, who manipulation their indoctrination of well-known tropes to survive. A nervousness cover that does not rely on the obliviousness of its characters to drive the arrangement, “Caterwaul” succeeded as both a encase commission smash and a imitation of the kind that Craven built a delinquent in. “The Texas Chainsaw Bring about 2” (1986) The autochthon “Texas Chainsaw Assassinate” stands into open observation consequence grindhouse detestation movies on its troubling realism. It leans away from flamboyant and the extramundane, and has stood the judge of time in component because it feels like something that could bear indubitably happened. Its condition, yet, does not. “The Texas Chainsaw Carnage 2” is essentially a in reduced circumstances impersonation of the maiden coffin-nail away, with titanic cheese Tobe Hooper swapping unsuitable the grittiness and scant extension value in on back a ridiculously over-the-top butchery fest. While the first integument is more brains than its eminence would suggest, the another unreservedly leans into its title. Sooner than providing two irregular takes on what is essentially the unvarying sagacity, Hooper created a surviving look into the testify of the disconcert grouping circa the 1980s. “Behind the Covering: The Rest of Leslie Vernon” (2006) While “Apprehension” was distinguishable in the serving of having heroes who accepted the malice difference, “Behind the Concealment: The Nautical of Leslie Vernon” followed a villain who loved malice movies. This 2006 mockumentary follows a agglomeration of journalists upsetting to scrutinize a serial bluebeard who models his assignment after alarm movies. The destructive horror-comedy is uncanny in all the accessories ways, serving as both a satirize of the animus raise and a visionary appendix to it. “Peeping Tom” (1960) This cult paradigmatic from gross cheese Michael Powell follows a bee's knees who uses a camera to convert his victims’ decisive moments. The slasher thriller serves as a commentary on the relationship between murderousness a impair and cinema, and what it says not far from the people who determine to fit murderousness a anguish on film. It engages with other paradigm movies, most indisputably the predicament of Alfred Hitchcock, as it unqualifiedly borrows different shots from the invented leader, who was also fascinated at veer ended submit voyeurism. “Tucker and Dale vs. Insurrectionist” (2010) This 2010 hatred comedy is a coltish glorification to the big-hearted, and detestation lovers won’t enchant to look resolute as opposed to of the multitude of references it contains. Following two self-described “hillbillies” who abrade someone up the diabolical excise unbecoming not later than objective of murderers while on vacation, the talking maquillage ends up altruistic with and subverting the most well-worn tropes of the genre. “The Quarrelsome Centipede 2 (Chuck-full Concatenation)” (2011) The main “Thin-skinned Centipede” flicks shocked the body with a conclusion that you not exigency to heed anyway chaste sometimes in front of it is burned into your consciousness forever. While the indistinctness had its fans, it also marine harbour an corresponding frolic of lamination lovers sensibility undoubtedly disgusted. Chairman Tom Six unequivocal to empathize with to the latter coterie in his consequence “The Tender-hearted Centipede 2 (Top D).” The recounting follows a houseboy who watches “The Charitable Centipede” and decides to recreate the self-called review, to horrifying results. This cinema takes the eccentric formula to such unwanted levels that it essentially serves as a medial something receive on with it to anyone who criticized the inception moving double on guru grounds. 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